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                  Titre : Biographisch-bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhundert. Bd. 1, Aa-Bertali / von Rob. Eitner

                  Auteur : Eitner, Robert (1832-1905)

                  Éditeur : Breitkopf und Härtel (Leipzig)

                  Date d'édition : 1900-1904

                  Sujet : Musique -- Biobibliographie -- Sources

                  Sujet : Musiciens -- Biographies -- Sources

                  Type : monographie imprimée

                  Langue : Allemand

                  Format : 11 vol. ; in-8

                  Format : application/pdf

                  Droits : domaine public

                  Identifiant : ark:/12148/bpt6k697380

                  Source : Bibliothèque nationale de France, 4-Vm-297 (1)

                  Relation : Notice d'ensemble :

                  Relation :

                  Provenance :

                  Date de mise en ligne : 15/10/2007

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                  Title : Biographisch-bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhundert. Bd. 1, Aa-Bertali / von Rob. Eitner

                  Author : Eitner, Robert (1832-1905)

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                  The text below has been produced using a process called optical character recognition (O.C.R.). Since it is an automatic process, it is subject to errors you might find in this page.

                  The recognition rate for this document is 79.26 %.

                  Bassani, Giov. Batt. 365 Bassani, Giov. Batt.

                  Andero in 1168/1 à 6: 4 voc. 2 V. Bo.
                  98tb. Nr. 1167 '1 zu 5 fit. 2 V. u. Bc.
                  8 Btb.

                  Molodie moderne in Concerti sacri a
                  nna, 2, 3, e 4 voci, con V., o eonza
                  op. 11. Anversa 1695 H. Aertssens.
                  8 Stb. im br. Mus, in 40. vorhanden
                  C.A.T.B. 2 V. Violone ô Tiorba.
                  Motetti per eoncerti eccies. 5 12 voc.
                  Ven. 1608 Vino. 5 a. IB.B.

                  Metri sacri resi armonici. In Motetti
                  a voce sola o. V. dedicati op. 8. Bo-
                  lopa 1690 Monti. 4 Stb. 4°. 12 Nrn.
                  [B.Frkft. B.B. Bologna. Paris Nat.
                  Amst,, Roger. [R. C. o^Mus.

                  Anversa 1691 Phalese. 40. [Brttssel,
                  aaoh in fds. Fétis in Kopie. ·

                  Harmonia festiva, being the 8. opera
                  01 divine Motetts, for a single voice, with
                  proper symphonies, wherein are the cele-
                  brated Motetts of Quid Arma, quid Bella,
                  & Allegri amores. London, W. Pearson.
                  fol. P. [br.Mus. R.C.ofMu8. Glasgow.
                  B.'Wageaer. Cambridge FW.

                  Concerti saori Motetti à 1–4 voc. c. V.,
                  e senza op. 11. Bol. 1692 Monti. 4 St.
                  2 V. 1 Violone, 1 Org. 8 Stb. 40. 12 Nrn.
                  [B.B. br.Mus. Paris Nat. von 1698.
                  Bologna 1692.

                  Motetti a voce sola o. 2 V. ad lib. op.
                  12. Ven. 1692 Sala. 2 Stb. Part. 145 S.
                  fol. [br.Mus. Bologna. B.B. von 1696? `t
                  B.C. ofMus. Ausg. in Amsterdam.
                  Amonie festive o siano Motetti sacri
                  a voce sola o. V. op. 13. Bolog. 1693
                  Monti. 5 8tb. 6 Nrn. [B. B. Bologna.
                  Knsiedeln fehlt C. 1696. Bologna: 1696
                  Bolog., Silvani: Org. Ausgabe in Amst.
                  bei Roger: br. Mas.

                  Harmonia festiva, being the 13. opera
                  of divine Motetts, for a single voice, with
                  proper symphonies. London, W. Pearson.
                  kl. foL P. [R. C. of Mus. B. Wagener.
                  br.Mus. Cambridge FW.

                  Motetti à voce sola o. V. op. 27. Ven.
                  1696 Sala. [B. B C. u. Part.

                  Motetti saori a' voce sola o. V. dol
                  Op. 27. «Bolog. 1701 Silvani. 5 Stb.
                  (1 Singst. 2'V. Violone, Org.) 40. [Bo-
                  fogna. B.B.

                  Aulserdem in Fagnani's Motetti sagri
                  1695: Caeli tuba olangente 1 voo. o. strom.
                  In Christoph BaUard'a Recueil de Mo-
                  tets 1712: Pompae vanae, Bassus o. 2 V.

                  Le note lugubri conoertate ne Respon-
                  sorij deu' ufficio de morti, a 4 voci, con
                  Viole, e ripieni. Op. 23. Ven. 1700
                  Sala. 12 Stb. 40. Jfdabef Canto Viola, Alto
                  Viola, Violone ô Viola) [Bologna.

                  Armonici ontusiasmi di Dayidc overo
                  Salmi conccrtati a 4 voci c. V. e suoi
                  ripieni. Cou altri Salmi à 2, e 3 voci c.
                  V., eonsecrati al. Op. 9. Ven. 1690
                  Sala. 12 Stb. 40. 11 Nrn. [B.Frkft.
                  j Dresd. Mus. mitl0i)8goz. B.B. Bologna
                  von 1698: Violone ô Viola.

                  Salmi di compléta a 3 e 4 voci concert.,
                  c. V. e ripieni op. 10. Von. 1691 Sala.
                  12 Stb. [B. B. 10 Stb. Bologna 12 Stb.
                  nebst einem 2. Exemplar mit gieicher
                  Jahreszahl aber anderer Dedication.
                  Ven. 1 697 Sala. [Ferrara. Paris Nat.
                  noch 1745, Ven. presso Ant. Bor-
                  toli, soll nach Gasparim eine Ausg. er-
                  schieneu sein.

                  Salmi concertati a 3. 4. e 5. vooi c. V.
                  e ripieni. Del Op. 21. Bologna 1699
                  Silvani. 14 Stb. 4°. von Silvani éd. [Bologna.
                  Davidde armonico espresso ne Salmi de
                  mezzo concertati à 2, e 3 voci c. V..
                  Op. 24. Ven. 1700 Sala. 7 Stb. 4°. [Bo-
                  logna. Ferrara.

                  Salmi per tutto l'anno a 8 voci reali
                  diuise in 2 chori, con il secondo organo
                  à beneplac Op. 30. Bologua 1704 Sil-
                  vani. 11 Stb. 4. [Bologna.

                  Pro primitiis musicalibus continentibos.
                  Te Deum laudamus 5–8 voo. a Violini
                  etc. Osnabrûck 1664. 13 Stb. [B. B.
                  L'armonia delle Sirene Cantate amorose
                  musicali voce sola di Op. 2. Bo-
                  logna 1680 Monti. 1 vol. in qu4v. 164 S.
                  10 Cantaten. [Bologna.

                  Bolog. 1692 Monti. Silvani wie
                  oben. [R. C. of Mu. Oxford B. L. Bo-

                  Il cigno canoro cantate amorose dedi-
                  cate. Lib. 2. Op. 3. Bologna 1682
                  Monti. 1 vol. in qu40. 105 8. 10 Gesge.
                  mit Bo. [Bologna.

                  Cantate à voce sola del. op. 3.
                  Bologua 1699 Silvani. Part. 107 BU. qu4°.

                  La moralità armonica Cantate à 2, e 3.
                  voci composte e dedio. op. 4. Bologna
                  1683 O. Monti. 2 Canti, B. Violone, Bo.
                  40. 12 Nm. [Bologna.

                  Bologna 1690 Pier-Maria Monti. 5
                  Stb. 40. 12 Nrn. [B. B. Bologna.
                  Ib. 1700. 5 Stb. [B. B.

                  Affetti canori Cantate e Ariette di.
                  op. 6. Bologna 1684 O. Monti. Part.
                  qu4°. 12 Gesge. mit Bo. [Bologna.
                  Ven. 1692 Sala. qu4ô. 87 S. [B.B.

                  Bologna 1697 Mar. Silvani. Part.
                  qu4°. 132 8. [Bologna.

                  Eoo armonica délie Muse Cantate amo-

                  Source: / Bibliothèque nationale de France, 4-Vm-297 (1)


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